In a move that has set social media alight and elevated Edo pride, Rema has captured the #2 spot on Spotify’s Top Afrobeats Artists list for 2025 — right behind Burna Boy. The international streaming platform’s ranking places Wizkid at #3, Asake at #4, and Ayra Starr at #5 — notably leaving out legendary names like Davido from the top five altogether.

This achievement is more than numbers; it is a declaration: Edo’s own is standing tall among Afrobeats royalty. Here’s why Rema’s ascent matters — not just for him, but for every young artist from Edo chasing global recognition.

🎯 From Benin Streets to Global Stage

Rema (Divine Ikubor) has never hidden his Edo roots. From his language choices, to subtle cultural references in visuals, he carries that identity with pride. For him to now hold the #2 spot globally in Afrobeats is not just a personal victory; it’s a win for Edo State — a reminder that talent from Benin City can dominate international charts.

Charting the Rise: Why Rema’s Climb Makes Sense

1. Consistency + Hits
   The journey to the top isn’t overnight. Rema’s catalogue — from “Calm Down” to “Baby (Is It a Crime)” — continues to rack up streams, playlist placements, and viral traction. (Note: “Baby (Is It a Crime)” remains one of the most-streamed Nigerian tracks of 2025 thus far)

2. Creative Risk & Evolution
   He has experimented, shifted, and pushed boundaries — whether through genre-blending, visual storytelling, or collaborations. That boldness keeps audiences engaged and critics watching.

3. Global Reach + Local Loyalty
   While he maintains strong appeal locally in Nigeria (especially Edo), his music now resonates globally, reflecting the typical trajectory of modern Afrobeats superstars.

4. Underestimated Firepower
   Many counted him out when competing with entrenched stars, but Rema’s steady climb shows that resilience and craft matter as much as hype.

Hailing the Achievement: Edo’s New Beacon

To Rema, we say: Bravo.
To Edo, we say: behold your standard-bearer.
To upcoming artists: take note — a boy from here now ranks second in the whole Afrobeat world.

This ranking is validation: you do not need to chase labels or metro hubs exclusively. With talent, strategy, and identity intact, you can take your place among giants.

Observations & What It Says About the Industry

• Missing Legends: Davido’s absence from the top five is conspicuous. It underscores how streaming dynamics and current engagement now shift power in unpredictable ways.

• Wizkid Holding Strong: At #3, Wizkid remains formidable — but Rema’s #2 shows that generational transition is real.

• Asake & Ayra in the Mix: Their presence in #4 and #5 also points to the evolving soundscape — diverse voices are making the cut.